The Depth of the Surface: Vittorio Corcos (1859–1933) and the Art of Appearance

Formation and the vero Vittorio Corcos enrolled at the Accademia di Belle Arti in Florence in November 1875 and progressed with conspicuous ease. Admitted directly to Enrico Pollastrini’s drawing course, he passed his examinations and, in 1876–77, received a silver medal for a figure study copied dal vero. Despite this success, he soon became dissatisfiedContinue reading “The Depth of the Surface: Vittorio Corcos (1859–1933) and the Art of Appearance”

Light, colour and the vitality of motion: Introducing the world of Francesco Paolo Michetti (1851-1929).

The featured image of this article, Francesco Paolo Michetti’s 1877 self-portrait (Palazzo Zevallos Stigliano, Naples) offers an introduction to the artist while also immediately conveying the light and colour characteristic of his work. In the words of Marina Miraglia: The half-open mouth and the intense, passionate gaze express that healthy fullness of life and thatContinue reading “Light, colour and the vitality of motion: Introducing the world of Francesco Paolo Michetti (1851-1929).”