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Common Life: Giuseppe Maria Crespi (1665–1747) and Genre Painting
La pulce A young woman sits in a cramped interior, pulling her clothing aside as she examines her body. Her head is lowered, one shoulder exposed, and the composition is organised around the awkward concentration of the act. The small oil on copper in the Uffizi is generally known as The Flea (La pulce), although…
An Elusive Realism: Gustave Courbet’s Les Cribleuses de blé (The Grain Sifters).
Courbet, Ornans and 1854–55 When Gustave Courbet painted Les Cribleuses de blé (The Grain Sifters) in 1854–55, he was in his mid-thirties and had already become one of the most contentious figures in French painting. Born in 1819 at Ornans, a small town in the Doubs close to the Swiss border, Courbet came from a…
Silvestro Lega: Places, People and Ways of Painting
Florence, the Macchiaioli and the problem of belonging Silvestro Lega belongs securely to the history of the Macchiaioli, but not quite comfortably to any shorthand definition of them. That is partly because the Macchiaioli themselves were never a school in the strict sense. They were a loose and sometimes fractious constellation of painters, critics and…
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Inner Surfaces 