This essay brings together Giuseppe De Nittis’s Giornata d’inverno. Ritratto della signora De Nittis of 1882 and James McNeill Whistler’s Symphony in White, No. 2: The Little White Girl of 1864 as an accostamento: a juxtaposition of two works that share a contextual affinity. They are separated by nearly two decades. Yet Edmond de Goncourt’sContinue reading “Two Women in White: Whistler’s Symphony in White, No. 2 and De Nittis’s Giornata d’inverno”
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Francesco Lojacono and the Changing Vision of Sicily
Francesco Lojacono (1838–1915), Palermo e il Monte Pellegrino da un terrazzo, 1874, oil on canvas, Novosibirsk State Fine Arts Museum. (Credit: Wikimedia Commons). Francesco Lojacono (Palermo, 1838–1915) occupies a central place in the history of nineteenth-century Italian landscape painting. Working for more than half a century, he transformed the representation of the Sicilian countryside fromContinue reading “Francesco Lojacono and the Changing Vision of Sicily”