William Blake’s Hecate: Image, Symbol and Ambiguity

William Blake’s large colour print traditionally known as Hecate, or The Triple Hecate, was made around 1795 as part of a group of twelve large colour-printed designs. Three impressions survive, in the Tate, the Huntington and the National Galleries of Scotland. No title by Blake is known, and the designation Hecate appears to have enteredContinue reading “William Blake’s Hecate: Image, Symbol and Ambiguity”

The Depth of the Surface: Vittorio Corcos (1859–1933) and the Art of Appearance

Formation and the vero Vittorio Corcos enrolled at the Accademia di Belle Arti in Florence in November 1875 and progressed with conspicuous ease. Admitted directly to Enrico Pollastrini’s drawing course, he passed his examinations and, in 1876–77, received a silver medal for a figure study copied dal vero. Despite this success, he soon became dissatisfiedContinue reading “The Depth of the Surface: Vittorio Corcos (1859–1933) and the Art of Appearance”