“Lost in Like but Separate Dreams”: Tullio Lombardo’s Double Portrait and Bacchus and Ariadne

Tullio Lombardo, born around the middle of the fifteenth century and active until his death in Venice in 1532, belonged to one of the leading family workshops of sculptors and architects in Renaissance Venice. He trained and worked alongside his father, Pietro Lombardo, and his younger brother Antonio, contributing to major architectural and funerary commissionsContinue reading ““Lost in Like but Separate Dreams”: Tullio Lombardo’s Double Portrait and Bacchus and Ariadne”

Tradition and Transformation: Velázquez’s Las Hilanderas / The Spinners / The Fable of Arachne (c. 1655–60).

Diego Velázquez, Las Hilanderas (The Spinners, or The Fable of Arachne), c. 1657–58, oil on canvas, Museo Nacional del Prado, Madrid. (Credit: Wikipedia). « Ce qui m’a le plus ravi en Espagne, ce qui, à lui seul, vaut le voyage, c’est l’œuvre de Vélasquez. C’est le peintre des peintres ; je n’ai, cependant, été nullementContinue reading “Tradition and Transformation: Velázquez’s Las Hilanderas / The Spinners / The Fable of Arachne (c. 1655–60).”