Polidoro da Caravaggio (c. 1499–1543): Studies for an Annunciation

Two small roundels, the Angelo annunciante and the Vergine annunciata, painted in Naples in 1527–28 and now in the Museo e Real Bosco di Capodimonte, are closely connected with a double-sided sheet of red-chalk studies of approximately the same date, now in the Fitzwilliam Museum, Cambridge. Together, the drawings and paintings offer an unusually concentratedContinue reading “Polidoro da Caravaggio (c. 1499–1543): Studies for an Annunciation”