Joseph Rebell (1787–1828): Observed Nature and Romantic Imagination

Joseph Rebell’s Neapolitan landscapes range from carefully observed views of royal residences and coastal sites to more dramatic paintings of storms, shipwrecks and volcanic light. The three works considered here belong to this second group: Mareggiata al Fusaro of 1819, Burrasca al chiaro di luna nel Golfo di Napoli of 1822 and Burrasca al tramontoContinue reading “Joseph Rebell (1787–1828): Observed Nature and Romantic Imagination”

Johan Christian Dahl (1788–1857): Two Landscapes through Windows

“The eye must be opened to the true and wondrous life of nature, and the hand must be trained to do the soul’s bidding quickly, easily, and beautifully. This alone can be the aim of instruction in any of the pictorial arts.” Carl Gustav Carus, Nine Letters on Landscape Painting, Letter VIII. Johan Christian Dahl’sContinue reading “Johan Christian Dahl (1788–1857): Two Landscapes through Windows”

Rue Scribe: Giuseppe Casciaro (1861–1941) and an Italian Network in Paris

Giuseppe Casciaro’s association with Paris appears to have developed earlier than has often been assumed. Vito Carbonara notes that, in 1889, Pio Enea Cugeno referred to works by the young painter as already exhibited, or intended for exhibition, in the French capital. A further indication appears in April 1891, when the Gazzetta delle Puglie reportedContinue reading “Rue Scribe: Giuseppe Casciaro (1861–1941) and an Italian Network in Paris”