Giovanni Lanfranco (1582–1647) and the Reworking of the Annunciation

A group of three related Annunciations by Giovanni Lanfranco seems to trace the reworking of a successful invention: the small copper now in the Hermitage, the large canvas in Notre-Dame-de-Bonne-Nouvelle in Paris, and the later altarpiece in the Costaguti Chapel of Santi Biagio e Carlo ai Catinari in Rome. The precise dating of the HermitageContinue reading “Giovanni Lanfranco (1582–1647) and the Reworking of the Annunciation”

Giovanni Andrea Donducci, detto il Mastelletta (1575–1655): Sacred Stories, Private Pictures and Imagined Landscapes

Giovanni Andrea Donducci, detto il Mastelletta Giovanni Andrea Donducci, called il Mastelletta, was born in Bologna in 1575 and died there in 1655. His career belongs to one of the most crowded and difficult moments in Bolognese painting: the period after the Carracci reform, when the city’s painters were working under the shadow of Ludovico,Continue reading “Giovanni Andrea Donducci, detto il Mastelletta (1575–1655): Sacred Stories, Private Pictures and Imagined Landscapes”