Light, colour and the vitality of motion: Introducing the world of Francesco Paolo Michetti (1851-1929).

The featured image of this article, Francesco Paolo Michetti’s 1877 self-portrait, (Palazzo Zevallos Stigliano, Naples) offers an introduction to the artist while also immediately conveying the light and colour characteristic of his work. In the words of Marina Miraglia: The half-open mouth and the intense, passionate gaze express that healthy fullness of life and thatContinue reading “Light, colour and the vitality of motion: Introducing the world of Francesco Paolo Michetti (1851-1929).”

Gemito and Mathilde Duffaud – ‘Not Made for Financial Gain.’

Introduction – Vincenzo Gemito and Mathilde Duffaud Mathilde Duffaud, la parigina, was Gemito’s first love—the first profound adult attachment of a foundling child. He met her in 1873 while living with his adoptive parents in the Palazzo del Mojariello in Capodimonte. Mathilde lived on the floor above with the French antiquarian Duhamel. Already known asContinue reading “Gemito and Mathilde Duffaud – ‘Not Made for Financial Gain.’”

Giuseppe Casciaro (1861-1941) –an introduction with context.

Giuseppe Casciaro’s first lessons were with Paolo Emilio Stasi from Spongano in Puglia. As Stasi’s artistic importance, and hence his influence on Casciaro, seems a little understated in the literature, it is worth emphasising that he was a versatile painter who captured various aspects of the people and landscapes of Salento. Vito Carbonara justly refersContinue reading “Giuseppe Casciaro (1861-1941) –an introduction with context.”