Cecco del Caravaggio: the rejected Resurrection

Cecco del Caravaggio remains one of the most elusive figures in the immediate wake of Caravaggio. He is usually identified with Francesco Boneri, or Buoneri, probably from Bergamo, and is repeatedly described as a painter unusually close to Caravaggio, perhaps even active around him as a model. The documents remain sparse, and the name itselfContinue reading “Cecco del Caravaggio: the rejected Resurrection”

Dosso Dossi (1486?-1542): Apollo, Fantasia and Form.

Dosso Dossi, Apollo (c. 1524–1525), oil on canvas, 191 × 116 cm, Galleria Borghese, Rome. “Dosso also knew how to add to his interpretations a certain wit, a sense of contrast, a boldness, that has led him to be associated with Ariosto and the Orlando Furioso. But his visions—enchanted and mysterious, dense with necromantic smoke—’are less aContinue reading “Dosso Dossi (1486?-1542): Apollo, Fantasia and Form.”