The drawings considered here converge around Raphael’s decoration of the vault of the Stanza di Eliodoro. Their significance lies not only in the light they cast on the completed frescoes, but also in what they reveal about Raphael’s working practice, his movement between projects, his responsiveness to different visual sources and his adaptation of drawingContinue reading “Raphael (1483–1520): Drawings for the Vault of the Stanza di Eliodoro”
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Gemito and Mathilde Duffaud – ‘Not Made for Financial Gain.’
Introduction – Vincenzo Gemito and Mathilde Duffaud Mathilde Duffaud, la parigina, was Gemito’s first love—the first profound adult attachment of a foundling child. He met her in 1873 while living with his adoptive parents in the Palazzo del Mojariello in Capodimonte. Mathilde lived on the floor above with the French antiquarian Duhamel. Already known asContinue reading “Gemito and Mathilde Duffaud – ‘Not Made for Financial Gain.’”
Inner Surfaces 