material culture – Inner Surfaces

Theodor de Bry, Portrait of Giovanni Gioviano Pontano, c. 1597–99, engraving from Jean-Jacques Boissard, Icones virorum illustrium. Image credit: Rijksmuseum. The inscriptions of the Pontano Chapel cannot be understood fully from their words alone. To a Renaissance humanist, epigraphy carried associations with the recovery of antiquity, philological scholarship, education, social and intellectual distinction, and theContinue reading “Hidden in Plain Sight IV. The Pontano Chapel: The Authority of Inscription — Pontano and Renaissance Epigraphy”