Nicolas Régnier – Inner Surfaces

Games, Music and Light: Mattia Preti in Rome

Three secular paintings by Mattia Preti, all generally assigned to his early Roman career in the first half of the 1630s, form a closely related group. Both A Concert, c. 1630–35, now in the Museo Nacional Thyssen-Bornemisza, Madrid, and the Concert in the State Hermitage Museum, St Petersburg, generally dated to the early or mid-1630s,Continue reading “Games, Music and Light: Mattia Preti in Rome”