Introduction Diana Di Rosa occupies an unusual position in the history of seventeenth-century Neapolitan painting. Celebrated in later tradition as “Annella di Massimo”, she acquired a reputation that rested as much on the dramatic story of her life as on the paintings associated with her. Yet while Artemisia Gentileschi has generated an extensive modern literature,Continue reading “Diana Di Rosa (1602–1643): An Emerging Artistic Identity”