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<url><loc>https://innersurfaces.com/2026/07/26/piero-di-cosimos-portrait-of-simonetta-vespucci-memory-and-invention/</loc><news:news><news:publication><news:name>Inner Surfaces</news:name><news:language>en-gb</news:language></news:publication><news:publication_date>2026-07-26T16:28:15+00:00</news:publication_date><news:title>Piero di Cosimo’s Portrait of Simonetta Vespucci: Memory and Invention</news:title><news:keywords>painting, ideal beauty, Italian Renaissance, Medici, Florentine art, Giuliano de’ Medici, Renaissance portraiture, Dennis Geronimus, Sarah Blake McHam, Joost Keizer, Sharon Fermor, Botticelli, Gabriele Donati, Paolo Giovio, Lorenzo di Pierfrancesco de’ Medici, Quattrocento art, female portraiture, Piero di Cosimo, Francesco da Sangallo, Renaissance Florence, courtly love, commemorative portraiture, Simonetta Vespucci, Petrarchan love, posthumous portraiture, Simonetta and Giuliano, Bernardo Pulci, John Onians, Angelo Poliziano, portrait and myth, poetic commemoration, Cleopatra, mythological portraiture, ouroboros, idealised portrait, bridal jewellery, Renaissance iconography, beauty and desire, Chantilly, painted presence, Medici culture, portrait and memory, Renaissance coiffure, landscape symbolism, pearls in Renaissance art, serpent symbolism, Musée Condé, vespaio hairstyle, visual ambiguity, storm clouds in art, beauty and memory, Villa Medicea at Poggio a Caiano, Renaissance women</news:keywords></news:news><image:image><image:loc>https://innersurfaces.com/wp-content/uploads/2026/07/piero-simonetta.jpg?w=108</image:loc></image:image></url></urlset>
